Rhetorical modes: Patterns of Organization
Using tropes to disguise the thing and talk about the relationship. By taking artifact and associations together with literary technique, reveals a new object itself. Rhetorical travelogues : capturing frames of events and artifacts as an agent to amplify the characteristic and genesis of “now”. What can we record and capture and what is fleeting or obsolete when those merge together. Can it rewrite a new story of place?
Accomplice: somebody helping wrongdoer: somebody who helps somebody else to commit a crime or misdeed
Wrongdoer: behavior considered wrong: behavior or an action that fails to conform to standards of law or morality
Law: the body or system of rules recognized by a community that are enforceable by established process
Process: a series of actions directed toward a specific aim, a series of natural occurrences that produce change or development
Identity, culture, tone
An accomplice because it is a specific perspective to frame the argument of new realities through parallel narratives. Possibly as an unknown accomplice, conspiracy or protege. By exploiting them and capturing an unknown voice it can not be paranoid by the outcome of the manipulations of voice.
As a feedback between a series of clients as accomplices:
One that gives (gets)
One that reacts (recieves)
One that analyzes (projects)
One that reformats (critiques)
One that gets (gives)
and loops back again...
Patterns, time, social
Because the sites have difference associations at different times it is about plucking details that may or may not reveal themselves. Time then can not act quantitative in the way each of these sites have come about today. Its an overlapping of histories.To see the past traces and overlap them out of sequence with the present and projected futures based on a new classification of criteria other than terrain vague. It can start to project new possibilities in the sites. Redux from the approach of asking what it was in the first place. These feedbacks can then inform a new hierarchy of what takes stage and how to redux based on these new values.
What then are you acting:
With?
For?
Against?
Through?
What is the reaction to the programmatic actions?
Tone?
Revelation?
Physical moves forward the action of the work and word through tangible objects. Starts to see moves through all details of a day rather than a specific ritual.
Method of working: Conscious Material and Mind
Working at a scale of creation, yet not always at one to one removes the author from the direct relationship or infact questions the direct relationship.