Lexicon : Stormfront

James Corner : "Eidetic Operations and New Landscapes"

Occupied tunnel, Withdrawn city  

Chosen as terms of opposites occupation and withdrawal can find themselves both in the fields of topical as well as active. They are terms of engagement with an other object. Relational terms activate the environment around them, a term not of solitaire. The patterns of occupation and withdrawal and back again in reference to a single point or scenario then engages the proportion between the two and their effects on the place and spaces in which they engage. Sometimes they can even occupy the same space in time. 

Occupation
"[A] deep and intimate mode of relationship not only among buildings and fields but also among patterns of occupation, activity, and space, each often bound into calendrical time".

[òkyə páysh'n]
•to inhabit in relationship with

•the possession, use or settlement of land

•the act of process of taking possession of a place or area

Withdrawal 
"If detachment and estrangement engender the very concept of landscape -- as distances prospect -- then perhaps, too, landscape itself precipitates only further estrangement and withdrawal. This is landscape's dark side..."
[wi th dráw əl]

•distancing oneself from something that was previously closer in relationship with

•the act of taking back or away something that has been granted or possessed
•removal from a place of deposit
•the act of drawing out of a place or position

Keller Easterling : "Introduction - Organization Space : Landscapes, Highways and Houses in America"

merged motion

Keller Easterling references the practices and modes of static exploration and the limited ability to understand objects instead through time. The concept of time has never been easily accessible, while the first three dimensions are tangible to our understanding, time is always transforming. Temporal components and housekeeping are both terms of sequential action. Components can transform over time and an activity is more definitive than the object. Transformational qualities of something may define it more than the geometrical quantities, understanding how all of these characteristics work together allow the ability to exploit the object or activity to its full potential.

Temporal Components
"...few common terms to describe spatial organizations with active parts, temporal components, or differential change. For instance, biological terminology must express relationships and duration or characterize systems that evolve, 'learn', or adapt over time".
[témpərəl]
•relating to time : relating to measured time
•of this world : relating to the life in the world, not to spiritual life

[kəm pṓnənt]

•part of something, usually of something bigger than oneself
•one of a set of vectors whose combination resultant is another vector


Housekeeping
"It is also possible to describe the amplification of a simple move across a group of separate agents... This architecture is not about the house but rather about the housekeeping. It is ... about timing and patterns on interactivity, about triplets and cycles..."
[hówss keeping]
•the maintenance of a household, or the range of tasks involved in this
•the management and upkeep of property

Stanford Kwinter : "Wilderness"

Winter vine on concrete

Defining the edge of something, and edge that is neither hard and defined nor completely obscure gives the ability to explore a narrow fault line of possibilities. As a culture of knowledge and rigor the idea of a blurred boundary with definitions relative only to context is unstable to our understanding. It is the ability to give way to the possibilities based on relative understanding that allows emergent exploration. It is at the fault line that we might intervene and then allow the design to meaner itself along the edge until it settles itself in a scene of equilibrium.

Outside
"Wilderness emerges in a system once we lost the ability to predict -- from the outside -- what it will do".
[owt síd]

•beyond: crossing over towards a place beyond that which is familiar

•past immediate environment: located on or beyond the outer surface or edge of something

•other side of the boundary of something: happening, existing, or originating in place, people, or groups other than your own

Indirectness
"...approximate rather than finished and perfect parts, and incrementally over time, rather than in one fell swoop of assembly. Indirectness, it appears, is actually the secret to achieving a robust, adaptive, flexible, and evolving design".
[ìndi rékt,ìn dī rékt]

•not in a straight line: not in a direct line, course or path
•not immediate or intended of effect or consequence

Manuel de Landa : "Geological History : 1700-2000 AD"

The social and economical complexities determine the occupied landscape. To such a degree that any variation or instability can alter an entire geography of people and industry. Understanding the social operations of that dwell in these places can explain the value of the land based on inhabitants and their needs. While some places exploit the land and other places exploit the occupants, each has its natural order for balancing the needs of the society. The interplay between multiple values and relationships have the ability to exponentially hinder or facilitate the function of the places and their future outcomes. 

Hinterland

"The intensification of the flow of knowledge also affected the dynamics of cities and their industrial hinterlands".

[híntər lànd]

• remote country region: away from cities or their cultural influence

Intensification
"As with earlier intensifications, it was the interplay of several innovations (electricity and electrical products, the automobile and its internal combustion engine, plastics and other synthetic materials, steel and oil) that allowed this intensification to sustain itself".
[in tensse fi]
• make or become greater
• increase effort or concentration

Mark Wigley : "Recycling Recycling"

Through re-examining the object and its relation and evolution to ourselves we have the ability to adapt and invent new pieces more relevant to ourselves. 

Body

"It also means passing that apparatus right into the internal nervous system, letting the machinery of the body interact with the machinery that is outside it to produce a new kind of body. The limit between interior and exterior, organic and technological, gives way".

[bóddee]

•the main mass of a thing

•complete material structure or physical form

Disperse

"Ideas, like bodies, can be prosthetically transformed and dispersed. Inside the even larger, interconnected, and entangled network that envelops the planet are layers of concepts that evolve and interact continuously like the weather".

[di spúrss]

•distribute widely: over a wide area, to become widespread

•cause to disappear

Robert Smithson : "A Tour of the Monuments of Passaic, New Jersey"

There have been many other papers written about what Smithson tackled in Passaic, New Jersey. Through different authorships the ideas of monuments and identities of space this exploration has emerged into a greater piece than the place itself. I am currently working on unpacking the connections and continuities between multiple contributors of the same topics. 

Ruin

“That zero panorama seemed to contain ruins in reverse, that is-all the new construction that would eventually be built, This is the opposite of the "romantic ruin" because the buildings don't fall into ruin after they are built but rather rise into ruin before they are built”.

[ roÓ in ]

• the physical remains of something such as a building or city that has decayed or been destroyed

• 

complete moral, social, or economic failure

Reflection

“That monumental parking lost divided the city in half, turning it into a mirror and a reflection – but the mirror kept changing places with the reflection. One never knew what side of the mirror one was on”.

[ ri flékt ]
• to redirect something that strikes a surface, especially light, sound, or heat, usually back toward its point of origin
• to express or be an indicator of something
• to bring credit, discredit, or another judgement on somebody or something

Peter Sloterdijk : "Air/Condition"

The position between perception and conditions can be as variable as the weather. Through multiple lenses of understanding conditions and perceptions of space and time in architecture can reveal new ideas for the development of place. It is in the reaction and redefinition through these components that may allow us to understand a new place for architecture. One which deals with a state between to opposing oscillating ends or one that pushes past the the previous extremes of that oscillation.

Weather

“So long as meteorology presents itself as a natural science and nothing else, it can pass in silence over the question of the weather's possible author. Taken as a purely natural context, climate is something that is entirely self-made, ceaselessly proceeding from one state to the next. As such, it suffices merely to describe the most important factors~ of climate in their dynamic effects on one another”.
[we ther]

• an atmospheric state of rain, wind, temperature or other meteorological conditions

• to wear down through outside conditions 

• Oscillation

“Dali's function in this game is characterized by an ambivalence that speaks volumes about his oscillation between romanticism and objectivity: on the one hand, he recommends himself as a technologist of the Other, that is inasmuch as in his undelivered speech he planned-this much is evident from its title "Authentic Paranoid Fantasies” ~ -to demonstrate a precise method to

make it possible to master access to the "unconscious'”.

[ óssə làyt ]
• to move back and forth between two points with a rhythmic motion
• indecisive: sway between to positions or points of view
• cause something to change predictably with variations between extremes